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Our Japanese wedding was traditional Shinto
style. Click here to read about the indigenous
Ainu wedding ceremony.
Shinto MARRIAGE CEREMONY
Three
times is good times
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Wedding
#2: Japan, December
9, 2000
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Kimono
sensei helps Geoff
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We
met Frank and Kaoru in Japan four years ago. They just
returned from their own wedding in Canada. Kaoru helped
us organize the entire Shinto ceremony. The Shinto marriage
ceremony goes back at least a thousand years and was
traditionally held in a jinja (shrine). Jinja are everywhere
in Japan, dedicated to departed ancestors and heroes.
A betrothed couple goes to a jinja to ask for a blessing
from Kami-sama, the god of the jinja. These days, modern
hotels have Shinto sanctuaries attached specifically
for the thriving wedding business. Couples are frequently
married western-style, with Shinto rituals thrown in
for good measure. The exchange of rings is a western
addition that we opted out of, to keep the ceremony
as traditional as possible. Our ceremony was held in
Chofu, a city in greater Tokyo. On our first day in
Japan we went to learn about the ceremony and have a
bit of a rehearsal. Like all jinjas in Japan, our little
shrine in Chofu is a little oasis of serenity in the
chaos.
The Shinto way is very precise and symbolic. By the
end of our rehearsal we were a little overwhelmed by
the finer details. We asked a lot of questions of the
priest and his helper; I think they were pleased that
we were taking it so seriously. We didn't realize it
at the time but it is becoming rare for Japanese people
to go through the full ceremony in a jinja.
Traditionally
the couple wear kimono, usually extremely elaborate
and formal. We wore a more casual style of kimono: somewhere
in the Sunday best, having the Mayor for dinner, range
of formality. We had to have a trained kimono instructor
help us get dressed, as it was too difficult even for
our Japanese friends to tie the obi (belt). It took
us a few days to find tabi big enough for my gargantuan
western feet. Tabi are the split-toed socks that I used
to call "ninja boots" as a kid.
On the day of the ceremony, we took the train to the
jinja. We noticed a curious woman reading over our shoulders
as we practiced our vows in Japanese whispers. She read
them out loud to help us, reading so quickly it just
made us more nervous. It was a nice moment though. We
walked from the train station to the jinja and it was
painfully obvious to me that my geta (sandals) were
too small. They were half the length of my feet. The
geta belonged to Kaoru's grandfather, along with my
kimono, so it was an honour to wear them, despite the
pain.
The
ceremony started with us following the priest into the
jinja. Before entering, all participants had to ritually
wash their hands and mouth with blessed water. Kiran
and I bowed and entered the jinja. We were seated facing
each other with space for Kami-sama between us. Kiran
seemed far away but we had to wait to sit together until
our marriage was approved by Kami-sama.
The priest beat the taiko (large Japanese drum) to wake
up the spirits. The sound pulsed through Kiran and I
like an extra heartbeat. Next he waved a staff with
paper streamers over everyone there. I wondered if this
was successful at banishing the negative spirits we
may have picked up unknowingly before entering the jinja.
The priest then chanted a plea to Kami-sama to hear
our request for marriage and to bless us. The chant
is done in a nasal sing-song and it sounds as though
he says each line in one breath. It is respectful to
offer food to the spirits and the priest did this while
Kiran and I held ourselves in humble poses, wondering
whether it was ok to watch what was going on. It was
hard to be a part of the ceremony and fascinated by
it at the same time.
One of the most important aspects of the Shinto ceremony
is San-San-kudo, the ritual of threes. In this part
the couple shares three cups of sake in increasing sizes.
Odd numbers cannot be split in two so they're lucky.
3 and 9 are particularly lucky. The priest's helper
(called miko) brought me a small cup that was almost
flat. The priest poured the sake with three motions:
two fake and one real pour. I had to sip with 3 sips:
two fake and the last one real. Kiran then went through
the same motions with the same cup. Then a slightly
bigger cup was brought out and given first to Kiran.
Again the ritual was two fake pours and the final real
and two fake sips with the final a real one. The medium
size cup was then brought to me and the ritual repeated.
The third round was with the largest of sake cups, still
almost flat. The three rounds of three make a very special
nine and San-San-Kudo literally means the way of three,
three, nine.
After the sake ritual, the priest prepared the altar
and asked permission for us to approach. The most difficult
part was about to begin: our vows. We had to read from
a sacred parchment in front of the altar. Fortunately,
they were written in hiragana, one of the easier-to-read
of the three Japanese alphabets. We learned hiragana
five years ago when we lived in Japan, so we didn't
have to write any secret pronunciation notes on our
hands. This part of the ceremony made us the most nervous,
right down to the way I had to hold the parchment. We
got through it pretty well, save for the fact that Kiran
forgot the word for "wife" at the end. I prompted
her with a subtle whisper and we both breathed a sigh
of relief as we turned away from the altar. We walked
back to our seats, remembering not to turn our backs
directly to Kami-sama, and to walk with our inside feet
in unison, to be closer to him.
My
back ached from holding my head respectfully down. When
we returned our seats had been moved so that now we
were sitting side by side. This was the sign that our
marriage was now acceptable in the eyes of Kami-sama.
After another brief dedication, it was time to offer
the Sakaki branch to Kami-sama. Sakaki is considered
holy and because it's evergreen it is a symbol of a
long happy marriage. The priest gave us each a blessed
branch. I think because I had relaxed so much after
our vows all the rehearsal went out of my head. I couldn't
for the life of me remember which hand to hold the top
of the branch with or which way to spin it when I placed
it on the altar. I felt like I was all thumbs.The priest
was gentle and forgiving and guided my hands.
We turned to go back to our seats and our part of the
ceremony was over. Now a Sakaki branch was given to
Kaoru, our host, and Shimizu Tadashi, our Japanese honourary
father. They offered them to the altar and didn't seem
to have any problem with when to bow and how low. The
final step was a toast of sake with everyone present.
The priest poured sake in everyone's cup. He was careful
to alternate from the groom's side to the bride's side
when pouring so that no preference was shown. Shimizu-san
made a short and touching speech in broken but perfect
English (a former student of Kiran's when we taught
English here). We said 'Kampai', the Japanese toast,
and drank the sake. We were married!!! We stood up and
faced out of the jinja. This was one of the moments
when it was alright to take photos, so the flashes lit
up the jinja. I felt like a movie star or politician
and had to smile. The priest led us back out to the
waiting area as a blessed married couple.
Throughout the ceremony we could hear birds singing
in the bamboo and the occasional jingle of coins falling
into the offering box outside. At the time these details
were just background but it's these details that make
us wonder at Japan's grace and beauty.
To read about our 3rd wedding
ceremony, click here.
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A
train passenger helps us to
practice our lines |

We
bow and are purified |

Sake
served three times, sake sipped
three times
MOVIE
(click on above photo to view) |

Oto
and Tsuma, husband and wife |
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Photos
by Frank Bonamigo
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Ainu MARRIAGE CEREMONY
All information from www.ainu-museum.or.jp
The Ainu people had various types
of marriage. A child was promised in marriage by arrangement
between his or her parents and the parents of his or her
betrothed or by a go-between. When the betrothed reached
a marriageable age, they were told who their spouse was
to be. There were also marriages based on mutual consent
of both sexes. In some areas, when a daughter reached
a marriageable age, her parents let her live in a small
room called "tunpu" annexed to the southern
wall of her house. The parents chose her spouse from men
who visited her.
The age of marriage was 17-18years old for men and 15-16
years for women, who were tattooed. At these ages, both
sexes were regarded as adults.
When a man proposed to a woman, he visited her house,
ate half a full bowl of rice handed to him by her, and
returned the rest to her. If the woman ate the rest, she
accepted his proposal. If she did not, and put it beside
her, she rejected his proposal. When a man became engaged
to a woman or they learned that their engagement had been
arranged, they exchanged gifts with each other. He sent
her a small engraved knife, a workbox, a spool and other
gifts. She sent him embroidered clothes, coverings for
the back of the hand, Ieggings, and other handmade clothes.
According to some books, many "yomeiri" marriages,
in which a bride went to the house of a bridegroom with
her belongings to become a member of his family, were
conducted in the old days.
The yomeiri marriage was conducted in the following manner.
A man and his father brought to the house of a woman betrothal
gifts, including a sword, a treasured sword, an ornamental
quiver, a sword guard, and a woven basket (hokai). If
they agreed to marry, the man and his father would bring
her to their house or the man would stay at her house
for a while and then bring her to his house.
At the wedding ceremony, participants prayed to the god
of fire. Bride and bridegroom respectively ate half of
the rice served in a bowl, and other participants were
entertained. |
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